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Crossover Borås 2017: European Textile Network Conference

Crossover Borås 2017, the XVIII conference of the European Textile Network, ETN, will be held September 12-19, 2017, The main conference sessions will take place on Saturday and Sunday, September 16-17, 2017. at the Swedish Museum of Textiles, located in the city of Borås, 30 minutes from Gothenburg airport.

The Borås Textile Fashion Centre not only houses the Museum but also the Swedish School of Textiles, an internationally renowned centre for textile innovation in fashion and design plus the Smart Textiles Lab.

The conference co-organizers are the European Textile Network, ETN, together with the Swedish Museum of Textiles and Nordic Textile Art association. The conference aims to present a global perspective of the different textile practices and their interactions with a special focus on sustainable creativity and innovation in textile art and design.

Speakers include Lij Edelkoort, one of the world’s most famous trend forecasters, Faigh Ahmed, Azerbaijani artist well known for his conceptual approach to traditional textiles, Jun Tomita, Japanese kasuri weaving master, Grethe Sørensen, Danish Jacquard weaver who recently received the Nordic Award in Textiles, and Catharine Ellis, who together with textile chemist Joy Boutrup, will talk about collaborative projects between art and science, among others.

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Company Profile: Esther Van Schuylenbergh

Esther Van Schuylenbergh  is a designer with a master’s degree in Textile Design at the School of Arts in Ghent, Belgium. After  graduation in 2014 she worked as a textile designer for a Belgian wall covering company until setting up her own design studio in Ghent in 2016.

In her design studio she develops woven textiles suitable for interior design applications on her handloom. Striving to push the boundaries of the weaving technique, she explores the possibilities of yarn and construction to create innovative structures.

The core business of the studio is the design and development of woven textiles for the industry. By using a 32-shaft computerized handloom, Esther is creating dobby weaves with a keen eye for texture, pattern and colour.

Currently, she is working on a library of unique design swatches for upholstery, curtain and wall covering fabrics which are suitable for industrial production. Each sample is designed on the handloom and ready for mill development. All swatches are sold complete with copyright, technical files and yarn information.
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Exhibition: The Handweavers Studio

Handweavers diploma exhibition 2017 is showcasing the final project work of the 2015-2017 diploma students

Following a long tradition of nurturing weavers, in 2011 under the directorship of Wendy Morris, the Handweavers Studio & Gallery launched a two-year Diploma course in handweaving.

Since the Diploma’s inception, the handweavers studio has been delighted to provide an excellent grounding in the craft skill for a series of enthusiastic students wishing to take their handweaving to another level. The Diploma, running biennially with a limited intake, focuses on developing good weaving skills and the ability to produce well designed desirable handwoven items for a variety of outcomes. Continue reading →

Select Festival & Symposium 2017

Select Festival 2017 is a celebration of visual arts on from 29th to April 28th May at various venues in Gloucestershire with over 150 artists taking part. There are  exhibitions, workshops, events, talks and a one day symposium plus  Select Trail Open Studios in the  Stroud Valleys

DIS/rupting Tradition: New Textile Languages. Select Festival 2017 presents a symposium linked to the lead exhibition DIS/rupt.

One Day Symposium – Co-ordinated by Dr Melanie Miller

Date: Sat 6th May 2017.
Times: 11am – 4pm

Dr Melanie Miller has convened a thought-provoking symposium to run alongside the Textile Study Group’s exhibition DIS/rupt. Focussing on the theme of disrupting tradition, the symposium will address issues around ‘new textile languages’.

Speakers: Dr Melanie Miller; Alice Kettle; June Hills and Michelle Stephens.

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Exhibition | On the Line: New perspectives on craft in Southeast Asia

On the Line: New perspectives on craft in Southeast Asia
Dates: 4 May – 17 June 2017

Venue: The Aram Gallery, 110 Drury Lane, Covent Garden, London WC2B 5SG

The Aram Gallery is hosting ‘On the Line’, a British Council exhibition exploring craft through the practices of women in Southeast Asia.

The show’s opening coincides with London Craft Week (3-7 May 2017). On the Line seeks to question the sustainability of craft in Southeast Asia in the context of increasing globalisation. It offers a range of insights into the lives and cultures of women working in this sector today.
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Exhibition | Entangled: Threads & Making

Entangled: Threads & Making is a major exhibition of sculpture, installation, tapestry, textiles and jewellery from the early 20th century to the present day at the Turner Contemporary, Margate. It features over 40 international female artists who expand the possibilities of embroidery, weaving, sewing and wood carving, often incorporating unexpected materials such as plants, clothing, hair and bird quills.

Entangled: Threads & Making is curated by writer and critic Karen Wright, with Turner Contemporary. Wright became fascinated by the making processes she saw first-hand on the many studio visits she did with artists for her ‘In the Studio’ column for the Independent. The idea for Entangled: Threads & Making evolved out of these visits, in particular one with renowned American artist Kiki Smith who was working on her epic tapestry Sky (2012), included in the exhibition.

The exhibition brings together artists from different generations and cultures who challenge established categories of craft, design and fine art, and who share a fascination with the handmade and the processes of making itself.

A new publication accompanies the exhibition, with essays and interviews by Ann Coxon, Stina Högkvist, Siri Hustvedt, Kathryn Lloyd, Rosa Martínez, Marit Paasche, Frances Morris and Karen Wright. Available from the Turner Contemporary shop.

Dates: Sat 28 Jan – Sun 7 May 2017

Image & Text: Turner Contemporary website

 

Weaving Futures: Week 13 | Eleanor Pritchard

Weaving Futures is an exhibition at London Transport Museum highlighting the importance of woven textile design to the London Transport system. The exhibition explores the process and making of digital woven textiles, as part of the Museums’, Designology season. Weaving Futures is curated by Philippa Brock and Samuel Plant Dempsey.

Each week, visitors will can see invited designers/artists in residence in the Designology studio, who will be working on a project brief and interacting with a weaver in their residency dates. The weavers will be interpreting the residents work live into digital woven textile prototypes and final works on a state-of-the-art TC2 digital jacquard loom. 

Week 13 features: Eleanor Pritchard

Closes the Weaving Futures season
Residency dates: 15th – 18th Feb 2017
Activity days: 17th & 18th Feb 2017

Eleanor Pritchard  are a small hands-on weave studio based in Deptford, South East London, who design and manufacture an upholstery and an interior accessories range.

Their signature style is characterized by bold geometrics and graphic reversible patterns in a palette that combines chalky and cross-hatched neutrals, sharp accents and deep inky tones. Their aesthetic is clean and contemporary with a nod to English mid-century design. The fabrics draw inspiration from traditional British textile crafts, re-interpreting the vernacular for a contemporary audience.

They work with different mills in the UK for their production and are closely involved with the production and finishing processes.

Their accessory collection is sold world wide through stores including,  Margaret Howell, Twentytwentyone and Artek.

The Aerial upholstery fabric collection has been used on a wide range of furniture projects including the Queen Elizabeth II Conference Centre and Ham Yard Hotel and Eleanor Pritchard have  also worked with studios including Sfera Ricordi and Pelikan. Continue reading →

Friday Late LTM: Weaving Futures

‘Weaving Futures’ residents will be at the London Transport Museum, at the  Friday Late, Urban Fabric event, in the Designology Studio on 17th Feb 2017. 18.45 – 22.00.

The work woven in this innovative, experimental exhibition will be on display as work in progress, and the Curators Philippa Brock & Samuel Plant Dempsey and participating residents will be available to discuss their responses to this season and their outcomes with visitors. The Tc2  Norway Digital Weaving jacquard loom will be running and there will also be a Houndstooth Project workshop  in the studio so visitors can experience designing repeating patterns.

Throughout the Museum there will be  many talks, workshops and displays ongoing, including Designing with Moquette with Annalisa Atkinson, Future Trends with Geraldine Wharry, The Inconvenience of Dress with Jenna Rossi – Camus, about public transport through drawings of fashion satires. Designing stations for local communities – architects talking about the Crossrail stations. The full programme is  available here.   Tickets  for the event can be purchased here

Residents who have participated in the Weaving Futures season have  included AssembleBeatwovenPhilippa BrockCamiraCentral Saint Martins, BA Textile studentsSamuel DempseyLinda Florence, Gainsborough Weaving CompanyEleanor PritchardRare Thread :  Kirsty McDougall & Laura Miles, Josephine OrtegaIsmini SamanidouStudio Houndstooth: Jo Pierce, Takram Priti Veja Continue reading →

Weaving Futures: Week 13 | Rare Thread

Weaving Futures is an exhibition at London Transport Museum highlighting the importance of woven textile design to the London Transport system. The exhibition explores the process and making of digital woven textiles, as part of the Museums’, Designology season. Weaving Futures is curated by Philippa Brock and Samuel Plant Dempsey.

Each week, visitors will can see invited designers/artists in residence in the Designology studio, who will be working on a project brief and interacting with a weaver in their residency dates. The weavers will be interpreting the residents work live into digital woven textile prototypes and final works on a state-of-the-art TC2 digital jacquard loom. 

Week 13 features: Rare Thread

Residency dates: 12th – 14th Feb 2017
Activity days: 13th & 14th Feb 2017

Rare Thread is a textile studio/collective conceived by Laura Miles and Kirsty McDougall and incorporates a team of designers and specialists including Ruth Greany, Stephanie Rolph, Sophia Fenlon and Hannah Auerbach George. There is a post with more details on The Weave Shed.

The designers of Rare Thread work collaboratively on collections and projects as well as retaining autonomy on other aspects of their practice.

With combined experience in industry of 35 years, Laura and Kirsty decided to merge their individual creative studio businesses to champion hand and machine woven textile design and finishing for a broad variety of textile outcomes including Fashion, Interiors and CMF to Material Development and Trend. Continue reading →

Weaving Futures: Week 12 | BeatWoven

Weaving Futures is an exhibition at London Transport Museum highlighting the importance of woven textile design to the London Transport system. The exhibition explores the process and making of digital woven textiles, as part of the Museums’, Designology season. Weaving Futures is curated by Philippa Brock and Samuel Plant Dempsey.

Each week, visitors will can see invited designers/artists in residence in the Designology studio, who will be working on a project brief and interacting with a weaver in their residency dates. The weavers will be interpreting the residents work live into digital woven textile prototypes and final works on a state-of-the-art TC2 digital jacquard loom. 

Week 12: features: BeatWoven
Residency dates: 8th – 11th Feb 2017
Activity days:9th & 10th  Feb 2017

Award winning, avant-garde textiles label BeatWoven® pioneers globally in pattern exploration with its couture fabrics for the prestige interior design market. It uses its skilfully coded audio technology as an instrument to translate and reveal the geometric patterns created by the beats and sounds in music. Simply by playing songs and sounds it visualises and orchestrates pattern formations that fuse harmoniously with textiles, particularly with the traditional craft technique of weaving. Through innovation, woven pattern and form is reinvented, fabric aesthetic is challenged and music, fashion and lifestyle are linked. Each couture fabric creates a conversational art piece ready to contribute to an interior landscape of curiosity and emotional connection.  Continue reading →