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Crossover Borås 2017: European Textile Network Conference

Crossover Borås 2017, the XVIII conference of the European Textile Network, ETN, will be held September 12-19, 2017, The main conference sessions will take place on Saturday and Sunday, September 16-17, 2017. at the Swedish Museum of Textiles, located in the city of Borås, 30 minutes from Gothenburg airport.

The Borås Textile Fashion Centre not only houses the Museum but also the Swedish School of Textiles, an internationally renowned centre for textile innovation in fashion and design plus the Smart Textiles Lab.

The conference co-organizers are the European Textile Network, ETN, together with the Swedish Museum of Textiles and Nordic Textile Art association. The conference aims to present a global perspective of the different textile practices and their interactions with a special focus on sustainable creativity and innovation in textile art and design.

Speakers include Lij Edelkoort, one of the world’s most famous trend forecasters, Faigh Ahmed, Azerbaijani artist well known for his conceptual approach to traditional textiles, Jun Tomita, Japanese kasuri weaving master, Grethe Sørensen, Danish Jacquard weaver who recently received the Nordic Award in Textiles, and Catharine Ellis, who together with textile chemist Joy Boutrup, will talk about collaborative projects between art and science, among others.

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Company Profile: Esther Van Schuylenbergh

Esther Van Schuylenbergh  is a designer with a master’s degree in Textile Design at the School of Arts in Ghent, Belgium. After  graduation in 2014 she worked as a textile designer for a Belgian wall covering company until setting up her own design studio in Ghent in 2016.

In her design studio she develops woven textiles suitable for interior design applications on her handloom. Striving to push the boundaries of the weaving technique, she explores the possibilities of yarn and construction to create innovative structures.

The core business of the studio is the design and development of woven textiles for the industry. By using a 32-shaft computerized handloom, Esther is creating dobby weaves with a keen eye for texture, pattern and colour.

Currently, she is working on a library of unique design swatches for upholstery, curtain and wall covering fabrics which are suitable for industrial production. Each sample is designed on the handloom and ready for mill development. All swatches are sold complete with copyright, technical files and yarn information.
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Exhibition: The Handweavers Studio

Handweavers diploma exhibition 2017 is showcasing the final project work of the 2015-2017 diploma students

Following a long tradition of nurturing weavers, in 2011 under the directorship of Wendy Morris, the Handweavers Studio & Gallery launched a two-year Diploma course in handweaving.

Since the Diploma’s inception, the handweavers studio has been delighted to provide an excellent grounding in the craft skill for a series of enthusiastic students wishing to take their handweaving to another level. The Diploma, running biennially with a limited intake, focuses on developing good weaving skills and the ability to produce well designed desirable handwoven items for a variety of outcomes. Continue reading →

Company Profile: Check Me Out

Check Me Out launched in 2015 with the aim to connect people with colour and design and encourage them away from fast throwaway fashion.
Holly Pressdee, the founder of Check Me Out graduated from Chelsea College of Art and Design in 2009 with a degree in woven textiles, and has been working within the British textiles industry for the last 7 years with the brand Dashing Tweeds.
During her degree her main area of research was emotionally durable design and the meanings of patterns culturally, where she was inspired by the heritage and meaning of tartan fabrics.
After finishing her degree, she started a blog where she would design bespoke check patterns by taking photos of her friends and family, abstracting the colours of their skin, hair, eyes and what they were wearing and use these colours within the designs to create their unique check patterns.
This lead to the creation of her company where she wanted to create check patterns a wider audience could connect with and began by designing the London check, using the colours of the London underground tube map. The map is such an  iconic image for londoners and tourists, everyone has associations with the tube lines they use.

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Workshop: Scandinavian Weaves

Scandinavian Weaves

Course Tutor: Jette Vandermeiden
Venue: Devon Weavers Workshop,

Discover what Scandinavian weaves are, how to weave them and the many ways they are useful for handweavers of today. This course, designed for weavers of all skill levels (basic weaving experience is required), will include various weave structures such as Halvdrejl, Jamtlandsdrall, Monk’s Belt, Daldrall, Canvas weave, Huck weave in multicolours, 2 block damask, Myggtdrall, and will be a timed ‘round robin’ format.

Jette has been creating textiles since early childhood and has extensive knowledge of fibre related topics. She has been a consultant to museums, documentary researchers, and developers of weaving curricula for college fibre arts programs. A prolific writer and teacher, Jette has conducted classes and workshops internationally and is a regular columnist for Fibre Focus.

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Job: Stephen Walters & Sons Ltd – applications now closed 19. 5. 2017

Stephen Walters are silk weavers designing and producing fabric for international luxury brands. They have built their reputation as design leaders, working exclusively with fashion houses across the world.

The design work is extremely varied and covers a broad range of fabrics from men’s neckwear to contemporary womenswear and furnishings.

They are recruiting for the following two positions to join their highly regarded design team:

Textile Designer
To work within their creative design team, producing CAD representations of their jacquard designs.

They are looking for a designer with good artistic ability and drawing skills, a sensitivity to colour, a diversity of styles and attention to detail.

An understanding of CAD systems would be beneficial but not essential, as full training will be given to the successful applicant. Their design team is currently made up of trained designers from a variety of disciplines such as print, surface pattern and weave. They would like to hear from anyone who is qualified in similar areas and who works well as part of a team.

Textile Designer
To work within their technical design team, creating jacquard weave programs using their specialist textile weave CAD system.

They are looking for a designer with good drawing skills, good attention to detail, patience and a good understanding of maths. It would be beneficial if the successful applicant had an understanding of weave and weave structures and some experience of using CAD systems, but this is not essential, as full training will be given. Their design team is currently made up of weave and print designers and the successful applicant will be someone who works well as a part of a team.

Hours of work: 8am to 5pm Monday to Friday (40 hours)
Location: Sudbury, Suffolk
Salary: Depending on experience

Closing date for applications: 19.05.17

 

 

The Textile School | Turkey Red: Espionage, trade & fashion

The Textile School study morning,

Date: Friday 21st April 2017

When Turkey red printed fabrics first arrived in Europe from India, the reaction was immediate and incredible. This new colour red brought a feeling of the exotic which transcended generations from the C17th to today.

Find out how the race to discover the secret recipe for this colour saw the ruthless side of business, through deception and governmental espionage; how Scotland became one of the main producers and how one C19th Scottish company was printing over 40,000 handkerchiefs a day to keep up with overseas demand.

Visit their website www.schooloftextiles.co.uk to book your ticket – limited places available

The day will commence with a short introductory talk, followed by a hands-on study session with original Turkey red textile samples and after a short break, textile historian Mary Schoeser will talk about the  connections with the Scottish Turkey red manufacturing industries and American cowboys. The day will end with a second Turkey red textile study session. Continue reading →

Select Festival & Symposium 2017

Select Festival 2017 is a celebration of visual arts on from 29th to April 28th May at various venues in Gloucestershire with over 150 artists taking part. There are  exhibitions, workshops, events, talks and a one day symposium plus  Select Trail Open Studios in the  Stroud Valleys

DIS/rupting Tradition: New Textile Languages. Select Festival 2017 presents a symposium linked to the lead exhibition DIS/rupt.

One Day Symposium – Co-ordinated by Dr Melanie Miller

Date: Sat 6th May 2017.
Times: 11am – 4pm

Dr Melanie Miller has convened a thought-provoking symposium to run alongside the Textile Study Group’s exhibition DIS/rupt. Focussing on the theme of disrupting tradition, the symposium will address issues around ‘new textile languages’.

Speakers: Dr Melanie Miller; Alice Kettle; June Hills and Michelle Stephens.

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Exhibition | On the Line: New perspectives on craft in Southeast Asia

On the Line: New perspectives on craft in Southeast Asia
Dates: 4 May – 17 June 2017

Venue: The Aram Gallery, 110 Drury Lane, Covent Garden, London WC2B 5SG

The Aram Gallery is hosting ‘On the Line’, a British Council exhibition exploring craft through the practices of women in Southeast Asia.

The show’s opening coincides with London Craft Week (3-7 May 2017). On the Line seeks to question the sustainability of craft in Southeast Asia in the context of increasing globalisation. It offers a range of insights into the lives and cultures of women working in this sector today.
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The Cockpit Arts / Clothworkers’ Foundation Award 2017: Call for Entries

Applications are invited for the Cockpit Arts / The Clothworkers’ Foundation Awards 2017. The Awards are only open to weavers who have graduated within the last 5 years.

The Awards aim to assist emerging weavers each year to set up in business by providing studio space and business support provided by Cockpit Arts as well as shared use of looms. The selection panel, including the acclaimed ikat weaver and designer Mary Restieaux, and a representative of The Clothworkers’ Foundation, will be looking for up to three individuals who demonstrate entrepreneurial spirit as well as creative excellence and craft skills.

The Award contributes to the cost of a place at Cockpit for one year from July 2017 and will include a space in a shared studio equipped with a dye area, 3 looms, Leclerc and Louet, and the following benefits:
• Studio space and use of looms within the creative community of Cockpit Arts at Deptford, London, SE8 with access to office facilities and resource centre.
• Business and professional development services including on-site coaching, a personalised development plan, workshops and seminars.
• A range of selling and promotional opportunities including Cockpit Arts Open Studios selling events twice a year.
• Award worth £2,000 with the remaining £2,000 fee being provided by the Award winners, payable on a monthly basis.
How to Apply:
• Please request a “Clothworkers Award” application pack from dana@cockpitarts.com
• Deadline for receipt of applications is midday, Wednesday 12 April 2017
• Interviews with shortlisted applicants will be held on Thursday 20 April 2017
• Move into Cockpit Arts Deptford no later than 1 July 2017