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Call for papers: craft & design enquiry journal

Photo- Carla van Lunn‘Global Parallels: Production and Craft in Fashion and Industrial Design Industries’

The craft + design enquiry  Editorial Board welcomes Tiziana Ferrero-Regis, Rafael Gomez and Kathleen Horton, from Queensland University of Technology, as the Guest Editors of c+de#8 with the theme of ‘Global Parallels: Production and Craft in Fashion and Industrial Design Industries’.
Contributors to c+de#8 are invited to submit Expressions of Interest for either the Themed Section or the Open Section by following the Steps to Submitting a Paper outlined below.

Expressions of Interest close on 30 April 2015. For contributors invited to submit papers, the deadline for full papers is 30 June 2015. c+de#8 will be published in mid-2016.

Open Section — call for papers
The Guest Editors and the c+de Editorial Board invite submissions to the Open Section exploring any aspect of contemporary craft and design. Expressions of Interest for the Open Section are assessed by the c+de Editorial Board. All invited submissions to the Open Section are peer reviewed and selected for publication in line with c+de procedures for the Themed Section.

Contributors to the Open Section of c+de#8 should follow the Steps to Submitting a Paper outlined below. Expressions of Interest close on 30 April 2015. For contributors invited to submit papers, the deadline for full papers is 30 June 2015.

Themed Section — call for papers:
‘Global Parallels: Production and Craft in Fashion and Industrial Design Industries’

Guest Edited by Tiziana Ferrero-Regis , Rafael Gomez and Kathleen Horton of Queensland University of Technology, Brisbane. They write:

This special issue of c+de aims to explore questions of design and craft across fashion and industrial design industries in the current global context. In light of de-localisation of manufacturing practices and increasingly complex supply chains, the alternating place and meaning of ‘skills and craft’ in the context of these vast global industries, and the transformational role and status of the designer in a market that is equally flooded with fast fashion and disposable ‘on trend’ lifestyle products, we seek to examine how the two worlds of fashion and industrial design intersect in terms of production, craft and design.

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Woven Textile Design: Jan Shenton

Jan Shenton coverWoven Textile Design written by Jan Shenton and published by Laurence King Academics , offers a comprehensive introduction to weaving for all those wishing to design and produce a wide range of fabrics from scratch.

Starting with the basics of woven textile design, the book looks at how to draw up and interpret records and notation, before explaining how different types of cloth are constructed. From the most basic of plain weaves, through twill weaves, textured weaves such as seersucker, crepe and corded cloths to more complicated designs created with extra threads woven in, a wide range of patterns are covered. Illustrated throughout with diagrams, weaving plans and beautiful examples from contemporary designers, the book also includes tips on using different yarns and colours to create stunning and unique designs.

Offering clear, practical advice, this book shows you how to interpret your initial concepts and develop your ideas on the loom. The book is highly recommended and a must have for textile students and professionals. Contents include

Jan Shenton is a weaver whose designs are bought by manufacturers and design houses in America, Canada, Europe and Japan. Her clients are high profile companies and include Louis Vuitton, Donna Karan, Polo Ralph Lauren, Etro, Weave Corporation, American Pacific, Cone Jacquards, Custo, Salvatore Ferragamo, Diane von Furstenberg, Etincelle Couture and Lululemon. She is a lecturer in woven textiles at Loughborough University. Continue reading →

Lisio Foundation – Florence

01-palio.bluFlorence has been one of the most important centres of textile culture since the Renaissance. The Lisio Foundation in Florence, Italy, organises courses and seminars in English for institutions or private groups on specific historical, technical or practical themes, and for individual training courses and developing research projects.

The courses are aimed at students, technicians and textile designers and the school program provides full immersion classes on : analysis of textiles and laces, conservation and creating jacquard textiles.

The educational program has been designed to broaden textile culture and ensure the preservation on antique techniques. The Lisio Foundation school also has looms for figured silk velvets and gold brocades.

The Foundation also manufactures to order, various forms of figured silks. The designs and patterns of the collection are part of the legacy left by the original LISIO Silk Mill. They represent all the decorative typologies in vogue between the Middle Ages and the early 1900s either reproduced from original period textiles or reconstructed from depictions in paintings by the great masters of Italian art.
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Publication: Digital Jacquard Design – Julie Holyoke

Digital Jacquard Design AW 8

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Digital Jacquard Design. For centuries, the creation of Jacquard cloth required the collaborative efforts of teams of designers and technicians working on vastly complex equipment. In the past three decades, developments in loom technology and CAD systems have made it possible for a single individual to design and produce this most challenging class of textiles.

Digital Jacquard Design presents a comprehensive introduction to the creation of weave patterning in the era of digitally piloted looms. It offers both aesthetic and technical training for students of figured weaving, covering the Jacquard medium in fantastic breadth and depth.

The book is an essential guide for all who create figured textiles with modern materials and tools, and provides the reader with a ‘digital’ key to access and employ the great textile traditions of the past.

Digital Jacquard Design examines the design process from end to end, progressing from visual analysis, sample analysis and weave-drafting methods, to figuring techniques and the selection and building of weaves. It provides a guide to converting traditional drafts to digital polychrome format, a design terminology and a weave glossary. The book concludes with a rich set of case studies to demonstrate ingenious and effective weave and design solutions.

Publication date Oct 10th 2013

Julie Holyoke  is a textile designer for hand loom and industrial production; she teaches CAD textile design in Italy at the Lisio Foundation and abroad.

Text: Bloomsbury Publishing