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Art Quill Studio & Blog | Marie-Therese Wisniowski

Art Quill Studio: A website featuring glossaries & articles relevant to Textile Art

Marie-Therese Wisniowski works as a full time studio artist, researcher, author, curator, university lecturer and is the former co-editor of Textile Fibre Forum art magazine.

She is the Director of Art Quill Studio & Blog. Her first post on the Art Quill Studio blogspot was published on August 26, 2010 focussing on the first ArtCloth exhibition in Australia featuring international and national textile artists and was titled – ArtCloth: Engaging New Visions and featured important textile artists such as Norma Starszakowna (UK), Joan Schulze (USA), Joan Truckenbrod (USA), Cas Holmes (UK), Jane Dunnewold (USA) and Ken Kagajo (Japan) – amongst others. At the present time over 500 posts have been published.

At the outset Art Quill Studio blogspot was designed to educate as well as to entertain. The education posts were titled, Art Resource, under the header of the post. At the time of writing more than one hundred Art Resources have been published. These are mostly published in the first week of every month. In order to access these resources more quickly, in the ‘Preamble’ of every Art Resource post are links to all of the other Art Resource posts on the blogspot. Example:  One Hundreth Art Resource. Continue reading →

Dovecot Studio: 21st Century Tapestry | PhD Studentship

21st Century Tapestry: An investigation of smart materials, technology interplay and heritage craftsmanship.

Supported by the Scottish Graduate School for Arts and Humanities (SGSAH), this studentship offers a unique opportunity to contribute new knowledge and insight within traditional tapestry practice as a structure for smart and e-textile development in partnership with Dovecot Studios and researchers from Edinburgh Napier University (ENU) and the University of Edinburgh (UoE).

This project connects Scotland’s world-renowned tapestry studio with pioneering smart textile design researchers from the School of Arts & Creative Industries (ENU), and Edinburgh College of Art (UoE), and draws on established research within the field of craft practice, smart textile design and technology integration with fine art tapestry weaving.

As one of only five tapestry studios in the world, with a legacy of collaboration with world-class artists and architects spanning over a hundred years, the unique knowledge-base, skillset and working environment, and opportunities for public engagement, provide a unique research framework for the studentship.

The PhD project will explore and question how tapestry practice can embrace innovation in smart materials and create a new marketplace and audience for the medium. Specifically, the research will ask, what does a 21st century smart tapestry look like?

How can the integration of technologies be embedded within traditional heritage tapestry practice and exploit new aesthetics? The project will involve practice-based research methodology and experimental prototyping, providing an experimental counterpoint to literature review work. It will also involve working on looms, using electronic components, conductive and state change materials, reflexive analysis of structural and material tapestry components.

Included in the studentship is an 18-month placement at Dovecot, which will allow studio practice and knowledge exchange, workshops and involvement in wider research networks. Continue reading →

BFTT: SME R&D Support Programme Funding Call | Round 2

The Business of Fashion, Textiles & Technology (BFTT), SME R&D Support Programme is now open for Expressions of Interest (EOI).

The fashion, textiles and technology related sector (FTT) is  innovative and multidisciplinary, informing many adjacent sectors in the wider industry. Quite literally, spanning agriculture to advertising.

This funding call is looking to support small and medium-sized enterprises (SMEs) in the development of the next generation of products, services and experiences in the fashion, textiles and technology sectors – with sustainable innovation at their core.

They look forward to hearing from FTT companies, and those in the wider STEAM (Science, Technology, Engineering, Arts and Mathematics) fields interested in collaborating with the FTT sector, who would like to achieve a step-change in their business trajectory.

You can find more information about the programme, including eligibility, selection criteria, core funding themes and key dates here.

Core themes:

  • Reimagining materials and production
  • Inspiring sustainable consumers
  • Uncovering hidden data and insight
  • Designing new experiences

This year they are also open to partnerships (joint applications), from SME / SME, or SME / SME+ partnerships helping scale the proposed innovations

BFTT SME R&D Support Programme – Expression of Interest Form

BFTT SME R&D Support Programme Round 2 – FAQs

Deadline to register your Expression of Interest: 7 September 2020

Learn more about the 10 R&D projects funded during the initial funding call here.

Text: BFTT. Image credit: © AWAYTOMARS Ltd

Scholarships: QEST

The Queen Elizabeth Scholarship Trust (QEST) awards scholarship and apprenticeship funding of up to £18,000 to talented and aspiring craftspeople working in a broad range of skills, from farriery and cheese maturing to jewellery design, textiles, silversmithing and sculpture. Their next application round is open 14 July – 24 August 2020.

QEST celebrates its 30th anniversary in 2020 and since 1990 has awarded over £4.5million to more than 550 individuals working in over 130 different crafts. They define craft broadly and welcome applications from all areas including rural skills, contemporary craft, conservation, luthiery and much more. A directory of all their alumni can be seen on our website, along with more details on how to apply – www.qest.org.uk QEST have two application rounds each year – in January and July.

Woven Jacquard Engineered Garment Research: Graysha Audren | Maike Jansen

Graduate Research Weaver Profiles: Graysha Audren | Maike Jansen

Seamless by Graysha Audren
Textile designer, Graysha Audren is a recent weave graduate of Central Saint Martins with a focus on sustainable innovation.  She believes good designers are problem solvers at heart with the power to invoke change, disrupt systems, and design out inefficiencies. The textile industry interweaves global politics, economics, trade, society, and business. The industry is a web of complicated supply chains where sustainability needs design-led systemic transparency. To change the entire system and to affect real change, Graysha focuses holistically on questioning inefficient and unsustainable systems, starting at the beginning: the making of the cloth.

Her current project, Seamless, exhibited at the London Design Festival in partnership with Maison/0 and LVMH, proposes a revolutionary way of seamlessly weaving clothing for material waste reduction and supply chain efficiency. Continue reading →

Exhibition: Interlace | Hella Jongerius

Interlace, Textile Research

June, 7 – September, 8 2019
Throughout summer 2019, Lafayette Anticipations invites the Dutch designer Hella Jongerius. She uses the building’s performative qualities to transform the interior space into a vast, constantly shifting loom; a giant textile studio, open to the public.

Hella Jongerius is one of international design’s most influential figures. Working from her Jongeriuslab in Berlin, her theoretical and experimental research explores multiple themes, often addressing the significance of colours and materials.

The project she has imagined for Lafayette Anticipations is centred around textile and weaving.

In the world of fast fashion, textiles have become a throwaway product. This exhibition questions how we consider textiles within our lives, and the cultural, social and economic implications of textile production and consumption today.

Over recent decades, we have become less aware of how our textiles are made, while artisanal production techniques are being lost. Industrialisation, mechanisation and globalisation have taken textile production away from individual understandings.

Interlace exposes the viewing public to the textile production process in order to create awareness, re-valuation and appreciation for textiles. It shows what consumers don’t usually see: the research and experimentation, the tools and materials, the trial and error that are as important as the result itself.

Throughout the three months of the exhibition, the public will be able to see new textile pieces being woven in the gallery space.

Continue reading →

Jacquard x Google Arts & Culture – Artist Residency

Google Arts & Culture and Jacquard (Google ATAP) are launching the first artist-in-residency with the goal of exploring synergies between technology, art, and fashion.

The programme
Google Arts & Culture and Jacquard (Google ATAP) are launching the first artist-in-residency with the goal of exploring synergies between technology, art, and fashion at Google Arts & Culture Lab in Paris. Curated by Pamela Golbin, the program will enable three artists to conceive of and create works that explore textiles, connectivity, and creativity over the course of a five month residency. 

This residency will grant the three artists access to the core of Jacquard technology, factories in Japan, mentoring from Jacquard and Google Arts & Culture engineers, mentoring from Pamela Golbin and Memo Akten, and access to the Google Lab space and resources in Paris. 

The end of the residency will be celebrated by showcasing the art installations at a private event in October 2019 and potential partner museums. Additionally, final work and the Making Of process will be featured in a dedicated section on Google Arts & Culture platform. 
 Artists will own the IP of their artwork.

The Residency includes:
– Weekly advisory meetings with Google Arts & Culture Lab and Jacquard engineers – Access to Jacquard Research and Development teams – Artist mentors : Pamela Golbin and Memo Akten – Dedicated Creative Coder and hardware prototyping team- Jacquard Factory visit and inspiration trip in Japan- Three weeks at the Google Arts and Culture lab in Paris- Stipend of 10k€ gross for each artist – Production budget and Jacquard material production: 15k€ for each artist

Continue reading →

Annual Textile Lecture: Matilda McQuaid | Creative Arts Farnham

The International Textile Research Centre at University for the Creative Arts Farnham announces that the Inaugural Annual Textile Lecture: The Future With Textiles will be given by Matilda McQuaid. Deputy Director of Curatorial and Head of Textiles, Cooper Hewitt Smithsonian Design Museum New York

Matilda McQuaid is Deputy Director of Curatorial and Head of the Textiles Department at the Cooper Hewitt Smithsonian Design Museum. Prior to the Cooper Hewitt, she worked at The Museum of Modern Art, NY, where she curated over 30 exhibitions, including the highly acclaimed “Structure and Surface: Contemporary Japanese Textiles.”

At Cooper Hewitt, her exhibitions have included “Josef + Anni Albers: Designs for Living” (2004), “Extreme Textiles: Designing for High Performance” (2005), “Color Moves: Art and Fashion by Sonia Delaunay” (2011), “Tools: Extending Our Reach” (2014), “Scraps: fashion, textiles and creative reuse” (2016 with Susan Brown).

Among her many publications is ‘Shigeru Ban’ (2006) the seminal book on this Japanese architect. She is currently researching the exhibition ‘The Future of Textiles’.

Date: February 22nd 2019 at 2pm
Cost: £20, concessions £10, to include afternoon tea
Click here for booking and further information

Photo copyright: Peta Jacobs

The Royal Pavillion – Brighton: His Majesty’s Geranium and Gold Silk

Humphries Weaving of Sudbury, Suffolk was involved in the prestigious national restoration at the Brighton Pavilion Saloon 

Built for George IV when he was Prince of Wales, the Royal Pavilion in Brighton is one of the most extravagant buildings of its age.

The room is now faithfully restored to its 1823 glory after conservation and restoration work started in 2002 and costing in the region of £390,000.

Highlights of the restoration include silver and ‘pearl white’ wall decoration using platinum leaf and the revitalisation of the magnificent gilding. A newly commissioned reproduction circular carpet by Axminster Carpets, with a lavish design of dragons, sun rays and lotus leaves adorns the floor.

Geranium and Gold silk woven by Humphries Weaving, Sudbury has been used for wall panels, magnificent drapery and furniture. A film has been made of the process of reproducing the original fabric.

The quest for His Majesty’s silk from Humphries Weaving on Vimeo. Continue reading →

Tengri Textile Innovation Award Winner 2018: Henrietta Johns

Henrietta Johns is the winner of the new Tengri Textile Innovation Award 2018.

Tengri, a luxury material innovator and pioneering fashion and lifestyle brand, announced the winners of its inaugural Tengri Innovation Award, launched this year to encourage the implementation of sustainable fashion and textiles working towards a more sustainable industry standard and future.

The award was open to final-year students of the Tengri Innovation Partnership, an initiative which includes some of the UK’s most influential academic and creative institutions.

Designers were invited to present innovative and sustainable approaches to textiles, to meet criteria set to demonstrate forward-thinking conceptualisation of sustainable fibres and practices that rework cultural and traditional techniques. Critically, these practices would be set to demonstrate the preservation of heritage in fabrication, construction and production.

London design house Tengri, champions the use of rare fibres from endemic animals, including the yak, an ancient animal dating back 10,000 years, and a rare species of yak from the Khangai region of Mongolia unrecognised by the textile industry until Tengri’s launch in 2014.

The studio is committed to referencing nature and natural reinvention to create a sustainable future, and working to commercialise heritage and traditional techniques as part of a sustainable production cycle in luxury fashion.

Applicants of the Tengri Innovation Awards were not only invited to present proposals for the integration of sustainable fibres, but also how this would further be developed in their approach and techniques post-graduation.

As winner of the Tengri Innovation Award, Henrietta receives a one-year mentorship with Tengri, as well as a six-month paid internship supported with Tengri Noble Yarns for production and a cash prize.

Henrietta Johns, recently graduated inBA (Hons) Textile Design  from Central Saint Martins, specialising in woven textiles. Her work is rooted in a deep exploration of natural animal fibres and innovative designs using traditional felting techniques, creating new fabric surfaces with 100% animal fibre. Continue reading →