Texprint Winners 2016: Weave

Jacob Monk_ winner of The Woolmark Company Texprint Award 2016_172Chloe FrostWeave graduates, Jacob Monk (Central Saint Martins, BA (Hons) Textile Design) and Chloe Frost, (MA, Royal College of Art) were both awarded Texprint top prizes by Martin Leuthold, Artistic Director of Jakob Schlaepfer. Jacob won the Woolmark Company Texprint Award and Chloe the Texprint Colour Award

Martin Leuthold stated “It is an honour to give these prizes. I have been in the industry for 50 years and I still enjoy it. And it is great to see the future in the Texprint designers. If you have creativity you can survive – you don’t have to be a big star: you have to be your own star. You give your heart to your ideas, and then you have the pleasure to give it away.”

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Exhibition: Theo Wright- Weavelength

Theo Wright - When Waves Collide 2 lo resWeavelength is the first solo exhibition by weaver Theo Wright, taking place at the Craft Central Gallery, London

Dates: 9-13 November 2016.

The exhibition features a series of handwoven artworks from a new project, When Waves Collide as well as work from an earlier project, Permutations, both based on ideas in mathematics.

Theo will be present at the gallery to demonstrate the weaving process on a table loom during the exhibition and will have a range of handwoven work for sale.

When Waves Collide
When Waves Collide is a new project supported using public funding by the National Lottery through Arts Council England and by Coventry City Council. A collection of 13 wall-mounted textiles shows a range of different types of interaction between two waveforms.

Sine waves are woven into the structure of each textile and the project looks at what happens when two different waves interact. The waves are incorporated in both the warp and weft of each work, forming patterns of circles and waves that intersect across the fabric.

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Textile Institute Talk: The Bristol Weaving mill

64fee7_4791f5960f6940f8b7639bffb50aa2caTextile Institute – London South East England Section 

The Bristol Weaving Mill: Britain’s first all female weaving mill and the relevance of hand weaving in modern textile manufacturing

In 2009, designers Juliet Bailey and Franki Brewer combined their hand-weaving and industrial experience to form Dash & Miller, a studio specialising in the design and development of woven fabrics for fashion and interiors.

Six years later in 2015, such was their success, the design duo opened their own industrial production facility – The Bristol Weaving Mill – the first cloth weaving mill to operate in Bristol for 90 years, where they weave bespoke cloth for a variety of end-uses.

Juliet and Franki will talk about how they got to this point – how their studio work had quickly developed providing woven textile design and consultancy across the UK, Europe, USA, and Asia, working with such companies as Calvin Klein, Hugo Boss, Ralph Lauren, and Louis Vuitton, as well as producing custom woven fabrics in collaboration with Stephen Walters & Sons, the oldest surviving silk mill in Britain – and how they were able to set up their own mill, and the relevance of hand weaving in modern textile manufacturing.

Date:  Wednesday 5 October 2016
Time: 6.30pm for 7pm until 8.30pm

London College of Fashion – Room G05
272 High Holborn
WC1V 7EX

Entrance: Members and Students Free
Non Members £5

To book contact Bill Bohm:   E: billbohm@textileinstitute.org

Image: The Bristol Weaving Mill

Weave Studio Open: Peckham Festival

WN 01_OPEN STUDIOSThe Weavers|Nest is a Textiles Lab housing a George Wood Dobby loom, dedicated to the development and construction of woven pieces.

They are open to commissions and collaborations with textiles designers, fashion designers, artists and architects.

They will be welcoming visitors from Friday the 9th (6-9PM) until the Sunday the 11th (11AM-6PM).
Fabrics are currently being woven in collaboration with a fashion designer, and this is a great opportunity to see the loom at work.

Address: Copeland Park – Bussey Studios, 133 Rye Lane SE15 4ST, Unit BGG
Visit Peckham Festival: www.peckhamfestival.org/whatson/openstudios

Job: Weave Lecturer – Loughborough University

934_1398School of the Arts, English and Drama

The School of the Arts, English and Drama are seeking to appoint a Lecturer in Textiles.

Textiles at Loughborough has an excellent reputation both nationally and internationally, with outstanding graduate prospects and good recruitment. The well-established team has a commitment to high quality teaching and the BA Textiles Innovation & Design programme has recently topped the national ranking in the Guardian League table 2017 Fashion & Textiles category, as number 1 in the UK.

The successful candidate will contribute to and enhance the research, teaching and enterprise activities of the School of Arts, English and Drama, in the area of Textiles, with particular reference to Woven Textiles Design practice, and in support of the University Strategy, Building Excellence.

Informal enquiries should be made to Professor Alison Yarrington by email at A.Yarrington@lboro.ac.uk

The closing date for receipt of applications is 13 Sept 2016. This has been extended.
Interviews will be held in October 2016.

Click here for further information

Making it in Textiles 2016 : Industry spaces available

IMG_0071Conference: Making It In Textiles 2016.

Whilst the event is mainly aimed at the directly invited 130 students and tutors from the UK’s leading institutions, a handful of paid-for places are available for those in the industry. Previous years’ delegates who attended found it very informative and a unique networking opportunity. The event is being organised by three City Livery Companies and the Campaign for Wool.

This event is aimed at inspiring final-year textiles students to consider a career in the textile industry, especially beyond pure design roles.

It is designed to strengthen the link between education and the textile industry and to make relevant what is taught on degree courses as well as introducing students to prospective employers.

The conference has a number of fantastic expert industry speakers talking about the weave process from beginning to end, including:

Juliet Bailey: Co-Director, Dash + Miller
Richard Humphries: Director, Humphries Weaving
Gary Eastwood: Managing Director, Pennine Weavers
Paul Johnson: Managing Director, W.T. Johnson & Sons
Emma Sewell: Co – Director, Wallace Sewell

Tickets are offered on a conference only or conference and dinner basis. Accommodation is not included and needs to be paid for and booked by the delegate.

To find out more and to book a ticket please visit: makingitintextiles-industry.eventbrite.co.uk

Or contact abby@optimistconsulting.co.uk if you have any queries.

Texprint 2016: Weave Participants

alice image 5

Texprint interviews, mentors and promotes the UK’s most talented textile design graduates with the support of industry professionals worldwide.

Those selected are introduced to buyers, press and sponsors at the Texprint London event, and at Europe and Asia’s leading yarn and textile exhibitions.

Texprint is entirely funded by the generous sponsorship of industry and by British charitable foundations, who believe wholeheartedly in supporting textile design talent and in encouraging design innovation and excellence.

The following Weave Designers were selected:-

Alice Timmis
(Photograph above)

For my final collection, I was inspired by the gestural presence that an artist gives to his or her canvas. I produced a collection of woven fashion fabrics, hand finished using a variety of experimental techniques, sometimes using unorthodox tools.  I approached some of my fabrics like an artist would his canvas, and used my weave as the base ‘coat’ for other layers including embroidery, thus breaking away from the liner restrictions of the loom.

As part of this fashion-fabric collection driven by finishing methods, I developed a technique whereby woven cloth can be manipulated and shaped directly to the body.

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Tapestry Weaving Workshop: Caron Penney

Caron Penney

Tapestry Weaving Workshop

Dates: 7 – 10 September
Times: 10 – 5pm
Lunch 1.00 – 2.00pm
Level: Beginners and improvers.
Tutor: Caron Penney
Assisted by: Katharine Swailes (Thursday – Saturday)

Course Description
This is a lively and varied workshop. It is designed to develop and encourage weavers to look deeper into the technique of tapestry weaving. The course relies on both experienced weavers and new students to create an exciting dialogue. Experimentation, dexterity and a sense of fun and risk taking are encouraged.

Those students that are more experienced should bring ideas which can be manipulated, enlarged and used as a vehicle to make an exciting development in your work. Design approaches which will be encouraged include those exploring geometric / graphic mark-making.
There will be a series of demonstrations to help the students progress through the four day workshop.

Beginners will be guided through the basic techniques, starting with warping up a frame.

Course held at The Mill Studio – New House Farm Barns Ford Lane, Ford, Arundel, BN18 0EF

To find out more information www.eventbrite.co.uk

New Designers: The Swedish School of Textiles Borås

Johanna-Samuelsson 01Students from The Swedish School of Textiles University of Borås exhibited at New Designers 2016. Three of the weavers are profiled below.

Johanna Samuelsson

Surface Synergy – Woven 3D texture merged with pattern

Surface Synergy – Woven 3D texture merged with pattern, is an innovative textile project that explores digital jacquard woven textures in combination with pattern. A digital visualising tool is used to create complex multilayered bindings that in combination with carefully chosen materials transform the flat textile surface into a patterned 3D-texture.

Textile designer Johanna Samuelsson explains that shrinking is used to transform the flat surface into a texturized one. At the same time as the pattern is created in the loom, also the texture is formed. Or rather, there is an interwoven ability for shrinking; this action of transformation is planned at the same time as the rest of the weave. As long as it is held   in the loom, the fabric is under tension and little shrinking can occur. First after cutting down and steaming, the final result of the shrinking can be seen. This work proposes on-loom effects requiring minimal finishing processes.

Woven patterns, such as plaid and houndstooth, are updated by merging with texture, twisting the traditions of the flat patterned surface. One of the strength with mixing pattern with texture is the concept of sensory manipulation. Johanna states ”I think that if a design, somehow breaks with the assumed aesthetic, or its traditions, we might look upon the object and start to really see it, just because it is distorting with over expectations. I think that a texturised textile has the power to evoke curiosity since its dynamic surface distorts the pattern and breaks up the ground surface into several visual elements.”

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New Designers: Weave Graduates

Josephine Ortega 2LRJosephine Ortega
My project investigated the perception of ‘comfort’ and culminated in concept proposals for transport seating. In order to define this abstract notion, I explored where and when people feel at their most comfortable through a questionnaire. The documentation of these answers through photography allowed for the visualisation of comfort to become more transparent, which ultimately meant that the concept of ‘comfort’ could become tangible and definite, making it easier to depict. The main visual inspiration taken from an individual’s home and swimming pool were translated into the designs through extracting elements that referenced colour, pattern and yarn choice.

 I wanted to challenge the existing transport seating designs therefore decided to approach my project using an alternative construction method, exploring traditional techniques used to create rugs. This method meant that the designs pushed the boundaries of weight, density and scale, yet still remained practical through the use of wool.

www.josephineortega.com

Central Saint Martins, University of The Arts London.

Katie LangKatie Lang 2, The Glasgow School of Art

My collection of handwoven fabrics was initially inspired by modern architecture. After drawing and creating collages from photography of buildings around Glasgow and Edinburgh, it became apparent that some of my drawings were very graphic whilst others were more painterly; this led to me exploring the idea of developing fabrics that contrasted graphic and painterly qualities.

I identified weave structures which allowed me to play about with geometric patterns and shapes, and used different blends of colours and yarns to achieve the more painterly aspects identified from my drawings. The final collection is a range of fabrics intended for interiors, woven from silks, soft cottons and lambswool yarns.

 

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