Annual Textile Lecture: Matilda McQuaid | Creative Arts Farnham

The International Textile Research Centre at University for the Creative Arts Farnham announces that the Inaugural Annual Textile Lecture: The Future With Textiles will be given by Matilda McQuaid. Deputy Director of Curatorial and Head of Textiles, Cooper Hewitt Smithsonian Design Museum New York

Matilda McQuaid is Deputy Director of Curatorial and Head of the Textiles Department at the Cooper Hewitt Smithsonian Design Museum. Prior to the Cooper Hewitt, she worked at The Museum of Modern Art, NY, where she curated over 30 exhibitions, including the highly acclaimed “Structure and Surface: Contemporary Japanese Textiles.”

At Cooper Hewitt, her exhibitions have included “Josef + Anni Albers: Designs for Living” (2004), “Extreme Textiles: Designing for High Performance” (2005), “Color Moves: Art and Fashion by Sonia Delaunay” (2011), “Tools: Extending Our Reach” (2014), “Scraps: fashion, textiles and creative reuse” (2016 with Susan Brown).

Among her many publications is ‘Shigeru Ban’ (2006) the seminal book on this Japanese architect. She is currently researching the exhibition ‘The Future of Textiles’.

Date: February 22nd 2019 at 2pm
Cost: £20, concessions £10, to include afternoon tea
Click here for booking and further information

Photo copyright: Peta Jacobs

Happy New Year: 2019

Happy New Year from The Weave Shed.

Cockpit Arts: Open Awards

Cockpit Arts are looking for talented makers to join their community. The following awards comprise of  subsidised studio space and business support for one year.

The Cockpit Arts / Harriet’s Trust Award ** NEW AWARD **

  • Open to: A talented maker working in any craft discipline with a commitment to high quality craftsmanship
  • Deadline for receipt of applications: 12 noon on January 10 2019

The Cockpit Arts / Leathersellers’ Award

  • Open to: Talented leatherworkers who are seeking business development support to take their creative business to the next level
  • Deadline for receipt of applications: applications accepted on a rolling basis

The Cockpit Arts / Haberdashers’ Award

  • Open to: Up to three makers working in knit to assist them to set up in business
  • Deadline for receipt of applications: 12 noon on January 8 2019

Further details and application forms are available to download from the website, or please contact sandie@cockpitarts.com for further information or to express an interest.

Uniqlo Tate Late: November 2018 | Weavers Talks / Events

Uniqlo Tate Late – November celebrates all things weaving and other events.

The London Loom Lounge 
Explore the Loom Lounge hosted by The London Loom, brimming with weaving wonders including oversized looms, weaving-inspired badges, yarn displays, music and talks.

18.30–18.50: Nadia-Anne Ricketts, founder of BeatWoven, discusses how she has fused the patterns of music and weaving in her artistic work.

19.30–19.50: Ismini Samanidou, the first weaver-in-residence at the Josef and Anni Albers Foundation, discusses the links between her weaving practice, photography and improvisation, and Anni Albers’s enduring influence.

20.30–20.50: Dr Priti Veja talks about her research into woven electronic textiles and how she combines innovative design methods with weaving.

21.00–21.20: Do you know your warp from your weft? Join The London Loom’s craft quiz with yarn-inspired prizes at stake. Crafters – this is your chance to shine! Show offs welcome.

Weaving Futures
Meet the next generation of weavers! Drop in to Central Saint Martins’ pop-up weaving lab, hosted by Philippa Brock, jacquard weaver and Tutor, and BA (Hons) Textile Design 2nd Year students – Kieu Vu, Francesca Miotti , Fadhel Mourali and Zoe Daley  to see weaving in action, explore weavers’ sketchbooks and chat to them about their processes.

Audio Tapestry
Explore Stewart Easton’s hand-stitched tapestry where textiles and sound art merge to create a unique audio piece that responds to your touch.

For all other events that night click on the Uniqlo Tate Late link

 

 

The Royal Pavillion – Brighton: His Majesty’s Geranium and Gold Silk

Humphries Weaving of Sudbury, Suffolk was involved in the prestigious national restoration at the Brighton Pavilion Saloon 

Built for George IV when he was Prince of Wales, the Royal Pavilion in Brighton is one of the most extravagant buildings of its age.

The room is now faithfully restored to its 1823 glory after conservation and restoration work started in 2002 and costing in the region of £390,000.

Highlights of the restoration include silver and ‘pearl white’ wall decoration using platinum leaf and the revitalisation of the magnificent gilding. A newly commissioned reproduction circular carpet by Axminster Carpets, with a lavish design of dragons, sun rays and lotus leaves adorns the floor.

Geranium and Gold silk woven by Humphries Weaving, Sudbury has been used for wall panels, magnificent drapery and furniture. A film has been made of the process of reproducing the original fabric.

The quest for His Majesty’s silk from Humphries Weaving on Vimeo. Continue reading →

Weaving: Contemporary Makers on the Loom | Katie Treggiden

There is  an exciting scene of professional designers, artisans and artists that continue to revitalise the centuries-old craft today.

From rugs and wall hangings to artistic installations and subversive interventions, contemporary expressions of the craft are as diverse as they are numerous.

Weaving – Contemporary Makers on the Loom presents a survey of this vibrant revival, with profiles of over twenty contemporary weavers:

Argentinian Alexandra Kehayoglou, designs breath-taking natural landscapes (for the likes of Dries van Noten), while Daniel Harris (UK) makes textiles for famous clothing brands using nineteenth century looms.

Brent Wadden (Canada) weaves beautiful, museum-standard fabrics.

The book includes  images of their studios, work and inspiration and indepth essays on the craft’s relationship with themes such as emancipation, migration and new technologies.

The featured weavers in the book are Alexandra Kehayoglou (Argentina), Allyson Rousseau
(Canada), Brent Wadden (Canada), Christy Matson (US), Daniel Harris (UK), Dee Clements (US), Diedrick Brackens (US), Dienke Dekker (Netherlands), Eleanor Pritchard (UK), Erin M. Riley (US), Genevieve Griffiths (New Zealand), Hermine Van Dijck (Belgium), Hiroko Takeda (Japan), Ilse Acke (Belgium), Jen Keane (UK), Judit Just (Spain), Karin Carlander (Denmark), Kayla Mattes (US), Lauren Chang (US), Rachel Scott (UK), Rachel Snack (US) and Tanya Aguiñiga (Mexico). In the Weaving Futures section are included Jorien Wiltenburg, Philippa Brock (UK)  & Jen Keane (UK), amongst others. Continue reading →

Flex | Phyllis Hahn

Flex: Exploring flexibility through solid and soft materials in woven structures, is a textile design collection by recent graduate Phyllis Hahn from the Swedish School of Textiles. A work which challenges the traditional function and behaviour of woven textiles by exploring flexibility, scale and materials.

Her work started out with an interest in the border between textiles and furniture. With a focus on the carpet, questions such as ’what is a carpet and when does its function change?’ pushed the work forward.

Eventually, this evolved into a exploration of flexibility within woven structures and by integrating solid materials such as wood and cardboard into the weaving process and combining those with pliable materials such as wool, polyester and cotton, she explores flexibility in the weave through materials and their opposite qualities.

The materials each have their inherent qualities and the weaving technique presents a physical realm in which they have to cooperate. In this way the solid material becomes flexible and also gives flexibility to the woven structure due to its weight, shape and placement. Continue reading →

Job: Humphries Weaving Account Manager

Humphries Weaving Account Manager
The Company
Humphries Weaving is a distinguished British manufacturer of custom Jacquard fabrics, gaining an international reputation for designing and weaving fine furnishings for historical restorations and the high end decorator market. They combine historical expertise and academic research with evolving weaving techniques to produce impeccable fabric design.

Humphries pride themselves on having the imagination to deliver a client’s vision; their patience, knowledge and expertise of colour, design and woven construction guides them to create innovative contemporary textiles and accurate historic reproductions.

This is an exciting career opportunity to join our small and ambitious team, allowing you to combine your creative approach and commercial acumen. Continue reading →

Tengri Textile Innovation Award Winner 2018: Henrietta Johns

Henrietta Johns is the winner of the new Tengri Textile Innovation Award 2018.

Tengri, a luxury material innovator and pioneering fashion and lifestyle brand, announced the winners of its inaugural Tengri Innovation Award, launched this year to encourage the implementation of sustainable fashion and textiles working towards a more sustainable industry standard and future.

The award was open to final-year students of the Tengri Innovation Partnership, an initiative which includes some of the UK’s most influential academic and creative institutions.

Designers were invited to present innovative and sustainable approaches to textiles, to meet criteria set to demonstrate forward-thinking conceptualisation of sustainable fibres and practices that rework cultural and traditional techniques. Critically, these practices would be set to demonstrate the preservation of heritage in fabrication, construction and production.

London design house Tengri, champions the use of rare fibres from endemic animals, including the yak, an ancient animal dating back 10,000 years, and a rare species of yak from the Khangai region of Mongolia unrecognised by the textile industry until Tengri’s launch in 2014.

The studio is committed to referencing nature and natural reinvention to create a sustainable future, and working to commercialise heritage and traditional techniques as part of a sustainable production cycle in luxury fashion.

Applicants of the Tengri Innovation Awards were not only invited to present proposals for the integration of sustainable fibres, but also how this would further be developed in their approach and techniques post-graduation.

As winner of the Tengri Innovation Award, Henrietta receives a one-year mentorship with Tengri, as well as a six-month paid internship supported with Tengri Noble Yarns for production and a cash prize.

Henrietta Johns, recently graduated inBA (Hons) Textile Design  from Central Saint Martins, specialising in woven textiles. Her work is rooted in a deep exploration of natural animal fibres and innovative designs using traditional felting techniques, creating new fabric surfaces with 100% animal fibre. Continue reading →

Norn x Denim Days

This September New York Textile Month takes over the City for its third year. As part of the month long celebration of fabric and making;  Denim Days is returning for a weekend of all things Indigo.

Norn Design is exhibiting at Denim Days with its new Denim Collection of samples and concept pieces.  Look for Norn Design in the program for stand info.

The Norn studio is tucked behind London’s only Craft Jean Factory: Blackhorse Lane Ateliers . Infected by the hum of the denim factory, Norn began dreaming about the possibilities of handwoven denim. Starting with the basics, Indigo and Cotton, they have been expanding and challenging the notion of ‘Denim’ as a woven cloth.

Through exploration of texture, structure, colour and hand weaving techniques we have developed a collection of Norn Denims.

The collection of hand woven denims recognises tradition whilst being focused firmly on the untapped potential of denim. From denim cloth for fashion, to corded and hand tufted rugs, hand woven art pieces and denim blankets Norn Denim is a range of conceptual objects and ideas that ask you to consider what denim can be. Continue reading →